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alex/alexandra sofie jönsson


is a socially engaged artist working with queer, eco-feminist and pedagogical formats, exploring how artistic practice can become a site for collective work. Often working in response to institutional spaces and contexts, and often collaborating with communities as part of their practice.

They have previously shown work at Art Center Nabi, Lewisham Hospital, Tate Modern, Kunsthal NORD and Roskilde Festival. They are one of the co-founders of lím collective, a platform based in Aalborg exploring artistic practices at the intersections of health and care, and a former organiser of Goldsmiths University collective The Open System Association, Autonomous Tech Fetish (ATF), and The Body Recovery Unit.


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Life Drawing the Attention Theft





Lifedrawing the Attention Theft (2018-2019)
choreography script, pen on paper
Deptford Community Cinema 2018-2019 (UK)
London Gallery West, Westminster University 2020 (UK)





Lifedrawing the Attention Theft is a series of public life drawing sessions hosted by Deptford Community Cinema (2018-2019). Drawers were invited to study the  positions in which we are data-producing using digital devices, exploring the use of new technologies as a form of bodily labour. Shown in Body Politics of Data (2020), by Alexandra Jönsson, London Gallery West, Westminster University (UK). Models: Erica, Mel and Alex. Photo left: choreography timing sheet by Alexandra Jönsson, right: installation view in Body Politics of Data by Alexandra Jönsson.

The project was kindly supported by the AHRC, Deptford Community Cinema, and Deptford Drawing Collective.

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